A crime that will decisively affect the lives of everyone involved is at the beginning of the dramatic miniseries The Wasteland. When the mayor of a North Bohemian village, Hana Sikorová, finds herself at the height of her fight against a large mining company offering the villagers a large severance package in exchange for abandoning their homes built on brown coal deposits, her 14-year-old daughter Míša disappears. After years of peaceful coexistence with others, the search for her daughter leads Hannah to question the entire community, which begins to disintegrate and show its true colours under the influence of events. The unraveling of the mystery branches the story into several intertwining storylines, graduating into unexpected connections.

Nut developed and produced this 3-part miniseries for HBO. The Burning Bush describes the legal battle between Jan Palach's mother and the new hard line communist regime over her son's legacy. As social resistance finally collapses after Jan's death and society takes the presence of Soviet troops as an immutable fact, a few courageous individuals form the leaders of a new opposition.On the one hand, the miniseries is a cinematic anatomy of the emergence of normalization, describing the processes, pressures and fears that so quickly and effectively created a society-wide current of 1968. On the other, the story will focus on a few individuals who, against all reason, decide to go against this current. The Burning Bush is a film about the legacy of Jan Palach and the impact of his actions on our society.

Teo, Renata, Anicka and Nikola are 19 years old and live ordinary lives as teenagers growing up in a small Czech border town where all four attend the same school. The film depicts its protagonists in situations where the carefree nature of high school is slowly replaced by the anxiety of the impending step into the adult world. Each faces an important life challenge, at the end of which nothing will be the same. And it's not just about graduation. Faced with new responsibilities, who will stand up to them, who will truly grow up?The camera is almost intimate with the characters most of the time and draws the viewer inside the world of each character. The dynamic editing emphasises the distracted and unfocused nature of the younger generation. Nothing Like Before offers a cinematically captivating glimpse into the lives of teenagers who have to grow up before they want to.

They evolved for millions of years, finally to be left to their own fate in the bamboo forest. There they were found and taken in by the most primitive of primates - humans. The story of a species whose humanity is intertwined with even the most domesticated areas of life. Species that doubt their destiny, passed on from their ancestors, fall out of the evolutionary game for viable offspring. In the present cycle of the world, humanity has begun to claim the greatest space without worrying too much about the consequences of its actions. The film "Pandas" depicts the play for life of a black and white animal exposed to the greedy and voyeuristic appetites of humans, which go hand in hand with the paradoxical human notion of animal conservation and species diversity. Self-appointed conservationists are trying to push nature in the "right" direction and ensure a future for pandas on earth, even though they themselves may not want it.

"I'm at an age and also in a state where I have to wash my feet well every time before falling asleep, in case an ambulance comes for me in the night."
– Janina Dušejko
 
Over the Bones of the Dead is a film by the world-famous director Agnieszka Holland, based on the successful Polish novel by Olga Tokarczuk "Drive Your Cart and Plough Over the Bones of the Dead".
Through the energetic and highly eccentric character of Duszejk, a retired English teacher, we follow the growing horror of a small settlement on the Polish-Czech border, where several mysterious murders happen in quick succession without any clearly explainable logic or motive. The horror and dismay of the murders contrasts with the general disinterest that accompanies the mass killing of wildlife during the ongoing hunting season. Dušejková is not only an animal lover, but also a protector of all the strange and 'other' inhabitants of the Kłodzko Basin, where the story is set. Through Dušejková, we gradually begin to discover who is behind the strange murders and how they are connected to the slaughter of the animals.

Ludovít lost his son in a brutal neo-Nazi attack. However, as a result of a failure of Slovak legislation, the attackers are soon set free and Ľudovít faces an absurd situation without any chance of justice. He takes on the disinterested police, the bribed judiciary and the fact that he has never been very close to his own son. The more he blames himself for his death, the more his relationship with his wife Zuzana and younger daughter Janka crumbles. And the more urgently he tries to influence the investigation

"The resemblance to real events or persons is not purely coincidental." Gottland is an unconventional look at the 20th century. The short story film presents peculiar fates, the love affair of actress Lída Baar with Joseph Goebbels, the story of the flying writer in the service of the STB Eduard Kirchberger, the Bata idea of belt production and the tragic decision of Zdeněk Adamec to burn himself to death in protest against the workings of the social system.

Each of the short stories is formally surprising, whether it is the use of rotoscoping in the animated short story The Flying Horse by Viera Čákanyová, the creation of a new "strip film" in the short story 86 400 by Lukáš Kokeš, or the original combination of fiction and reality in the short story The Virginity of Lída Baar by Petr Hátle. The film is based on the famous bestselling book Gottland by journalist Mariusz Szczygieł.

A documentary exploration of the modern phenomenon of nightlife and insomnia. Through authentic portraits of the characters inhabiting the dark "half-world" of Prague's non-stop bars, gambling halls and nightclubs, it maps the living space and community of the people of the "eternal night".
 
The film consists of portraits of several people for whom such establishments have become a natural living space, a lifeline where one is never completely alone. Insomnia, the inability to bear with oneself and the compulsion to meet up with similarly afflicted people in "bunkers", often also simply a love of nocturnal adventures, crime and drugs. The paradoxical situation of prolonging insomnia through the use of meth and other stimulants, deepening paranoia about the light and the world. Creating a subculture with its own morals and philosophy.